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Category: Building Character
The Life and Times of Matilda's Second Dad
By LINDA BUCHWALD
Monday, May 12, 2014  •   Building Character  •    0 comments Share This
Mon May 12, 2014  •   Building Character  •    0 comments Share This
How Matt Harrington assumed a major Broadway role --- Welcome to Building Character, our ongoing look at actors and how they create their roles Every night before Matt Harrington goes on stage for his first scene as Mr. Wormwood in Matilda, he does a little dance in the wings. Matilda's television-loving, car salesman father makes his first appearance...
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The Transvestite in Patrick Page's Mind
By ERIC GRODE
Wednesday, April 23, 2014  •   Building Character  •    0 comments Share This
Wed Apr 23, 2014  •   Building Character  •    0 comments Share This
How he connects with his character in "Casa Valentina" Welcome to Building Character our ongoing look at actors and how they create their roles --- When Patrick Page was playing Cyrano de Bergerac at the Old Globe, he would walk the streets of San Diego imagining he really was a man with an enormous nose. He wasn't wearing a prosthetic, but in his...
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Stephen Spinella Will Give a New Performance Tonight
By MARK BLANKENSHIP
Friday, April 11, 2014  •   Building Character  •    0 comments Share This
Fri Apr 11, 2014  •   Building Character  •    0 comments Share This
Inside his work on Broadway's The Velocity of Autumn --- Welcome to Building Character, our ongoing look at actors and how they create their roles "The thing that draws me to new plays is the speech," says Stephen Spinella. "Does the writer have a good ear for the way people talk?" His acting career has certainly been marked by thrilling language....
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Have You Seen This Side of Lear?
By MARK BLANKENSHIP
Monday, April 07, 2014  •   Building Character  •    0 comments Share This
Mon Apr 7, 2014  •   Building Character  •    0 comments Share This
Michael Pennington finds new facets in Shakespeare's tragic king --- Welcome to Building Character, our ongoing look at actors and how they create their roles "I've always noted that most Lears are either good in the first part or the last part, but not always in both," says Michael Pennington. "It's difficult to catch the autocrat and the tyrant...
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